Monday, 4 November 2013
Porto
I am hoping to produce some work inspired by the forms and colours I saw when we visited Porto this summer.
Friday, 7 June 2013
Monday, 27 May 2013
Thursday, 4 April 2013
Saturday, 23 March 2013
Langdale Pikes Plate
These are the first prints from a new plate inspired by a walk across the Langdale Pikes in Cumbria.
The first print is a straight intaglio treatment of black ink. I am pleased with the dynamic quality of the image.
The second print is stronger in the original than it looks in this reproduction. To produce it the plate was first wiped with a mixture of Ultramarine with Paynes Grey, then Cadmium Yellow was rollered on top along with blots of neat Cadmium Red, applied with scrim.
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Saturday, 9 February 2013
Shadowlands
I have submitted two mono prints in response to an open call from for work put out by Vertiline In Love
@vertilineinlove. Print artists were invited to depict Sheffield in small, black and white original works. There are some beautiful prints in a wide variety of styles opening new windows on a familiar city.
My own work shows the view that unfolds driving down Spout Lane in Stannington. I love this unfolding vista of home, which I have seen nearly every day for the past twenty years.
Vertiline in Love's http://vertilineinlove.com exciting pop up exhibition, Shadowlands is currently on in Birds Yard, Chapel Walk, Sheffield.
My own work shows the view that unfolds driving down Spout Lane in Stannington. I love this unfolding vista of home, which I have seen nearly every day for the past twenty years.
Vertiline in Love's http://vertilineinlove.com exciting pop up exhibition, Shadowlands is currently on in Birds Yard, Chapel Walk, Sheffield.
Monday, 21 January 2013
Snow Day
It looked beautiful and it is hardly a long journey, but the studio was not enticing today! For more in a similar vein visit The Priory Garden.
Saturday, 12 January 2013
Happy New Year
We have been playing around with wooden puzzles over Christmas and I think it has inspired a rather Rubic's cube quality in this new small plate. The background ink was French blue, let down with plate oil, then neat cadmium yellow was rolled over the top and , finally, patches of crimson pressed on with scrim.
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